Jaclyn Davidson | Jeweler
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Historically, man has revealed a strong need for objects that are intimate; objects that can travel with the hunter/gatherer. There is a balance and security when a familiar shape rubs against one’s body. The craftsmen’s needs are also met in the creation of these works. I cherish the moments shared with the patron as they derive personal mythology from the universal ideas I depict. It is important that my pieces have a presence apart from their role as personal adornment. All of my works from the enameled gold period were inspired by mythology. Designs are kept compact, so they can be held in the hand and explored. My pieces have no conventional front and back; the viewer is rewarded for his willingness to examine each piece from all perspectives. Inevitably designs will transcend their narrative sources and owe more to the dynamics of form, resulting in absurd and intriguing juxtapositions. |
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In the last five years my work has undergone a radical change, as I have begun working with mild steel. The captivating aspect of this medium is the instinctual nature of the creative process. When I am working small my entire body is involved, moving to and from the forge, gathering tools and quenching in between heats. Steel’s presence conveys unyielding cold strength, but when heated to a radiant yellow it becomes as pliable as bread dough. Conversely, I have learned to adapt my design plans when the hot steel is revealing new facets of its personality. Working with mild steel has also changed the way I look at the end product— I celebrate the evidence of the forging process in the finished object. This element has been called the presence of the hand. |